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Gniewne oblicze Kali. Mit, ikonografia, rytuał

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Catalogue identifier
klm000075
Alternate titles and import identifiers
KLM000075; The Angry Face of Kali: Myth, Iconography and Ritual
Author or attribution
Małgorzata Sacha
Record type
Article
Language
Polish
Date / edition
2005
Source / repository
Studia Religiologica, Jagiellonian University; institutional repository copy
Access
Open access
Subjects
KLM Research Sources — Second Set, 5 November 2026; Academic Research and Peer-Reviewed Articles; Art, Iconography, and Epigraphic Studies

Description and curator notes

A focused Polish study of Kali’s anger across myth, canonical imagery and ritual. Sacha compares Purāṇic portrayals of destructive fury with Tantric interpretations of purifying power, then considers sacrifice, confrontation and devotional surrender as responses to the goddess. Useful for comparative iconography and interpretations of fierce divinity, rather than as primary evidence for the dates of Sanskrit works.

Curator research source KLM000075, second set dated 5 November 2026. Verification, chronology, completeness, access and licence statements below are supplied by the curator, not a new independent audit by this library. Full texts are linked, not reproduced. Abstract languages do not change the full work's language label.

Gniewne oblicze Kali. Mit, ikonografia, rytuał

Author and date: Małgorzata Sacha • 2005

Publication: Studia Religiologica, Jagiellonian University; institutional repository copy. Zeszyty Naukowe Uniwersytetu Jagiellońskiego, Studia Religiologica 38, pp. 91–103; complete 13-page article.

Language: Polish; English summary

English title: The Angry Face of Kali: Myth, Iconography and Ritual

A focused Polish study of Kali’s anger across myth, canonical imagery and ritual. Sacha compares Purāṇic portrayals of destructive fury with Tantric interpretations of purifying power, then considers sacrifice, confrontation and devotional surrender as responses to the goddess. Useful for comparative iconography and interpretations of fierce divinity, rather than as primary evidence for the dates of Sanskrit works.

Kali relevance: Entire article concerns Kali, with Dakshinakali, cremation-ground imagery, Tantra and Bengali devotion.

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Publication or repository record

Subjects: Academic Research and Peer-Reviewed Articles; Art, Iconography, and Epigraphic Studies

Dates: Modern scholarship; Not applicable

Rights: Official repository marks the publisher version as openly deposited under permitted use of copyrighted works (Dozwolony użytek utworów chronionych). Not a Creative Commons grant. Free to read; link only, do not reproduce.

Verification and limits: Complete article and representative argument checked. OCR misreads some Sanskrit transliterations; consult the scans for quotations. Individual historical claims were not independently audited.

Source and alternate access links:
Read the complete text: https://ruj.uj.edu.pl/server/api/core/bitstreams/bbcd1b0e-4a3b-4773-bd1a-d328e00a19c7/content
Publication or repository record: https://ruj.uj.edu.pl/xmlui/handle/item/306019

Source access

Read or locate the original source at Studia Religiologica, Jagiellonian University; institutional repository copy

Rights and reading conditions

Official repository marks the publisher version as openly deposited under permitted use of copyrighted works (Dozwolony użytek utworów chronionych). Not a Creative Commons grant. Free to read; link only, do not reproduce.

Citation

Małgorzata Sacha. Gniewne oblicze Kali. Mit, ikonografia, rytuał. Studia Religiologica, Jagiellonian University; institutional repository copy. Zeszyty Naukowe Uniwersytetu Jagiellońskiego, Studia Religiologica 38, pp. 91–103; complete 13-page article. 2005. https://ruj.uj.edu.pl/server/api/core/bitstreams/bbcd1b0e-4a3b-4773-bd1a-d328e00a19c7/content

This page supplies catalogue metadata and links. It does not reproduce the underlying source text. Historical, religious, healing and interpretive claims belong to the cited sources, not to an independent verification by this catalogue.