Music for the Royal Dasai (Gorkhā and Nuwākot)
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- Catalogue identifier
- klm000077
- Alternate titles and import identifiers
- KLM000077
- Author or attribution
- Carol Tingey
- Record type
- Article
- Language
- English
- Date / edition
- 1997
- Source / repository
- European Bulletin of Himalayan Research; Digital Himalaya
- Access
- Open access
- Subjects
- KLM Research Sources — Second Set, 5 November 2026; Academic Research and Peer-Reviewed Articles; Temples, Sacred Places, and Historical Worship; Hymns, Prayers, and Devotional Poetry
Description and curator notes
Tingey examines the musicians and repertoires serving royal Dasai celebrations at Gorkha and Nuwakot. Her account contrasts women’s auspicious singing with male military and Damai ensembles, documenting their ritual responsibilities, institutional histories and spatial organization. The discussion includes transliterated songs with English translations, a Kalika hymn, musical notation, and a detailed account of the nagara bana ensemble associated with Kalika at Gorkha. It gives valuable ethnographic context for the historical drummer appointments edited in Documenta Nepalica. The evidence concerns specific Nepalese goddess traditions and late-twentieth-century fieldwork, rather than a universal description of Kali worship.
Curator research source KLM000077, second set dated 5 November 2026. Verification, chronology, completeness, access and licence statements below are supplied by the curator, not a new independent audit by this library. Full texts are linked, not reproduced. Abstract languages do not change the full work's language label.
Music for the Royal Dasai (Gorkhā and Nuwākot)
Author and date: Carol Tingey • 1997
Publication: European Bulletin of Himalayan Research; Digital Himalaya. European Bulletin of Himalayan Research 12–13 (1997), pp. 81–120. Complete 40-page article represented by 21 PDF images (single opening/closing pages and facing-page spreads).
Language: English with transliterated Nepali song texts and English translations
English title: Same as title
Tingey examines the musicians and repertoires serving royal Dasai celebrations at Gorkha and Nuwakot. Her account contrasts women’s auspicious singing with male military and Damai ensembles, documenting their ritual responsibilities, institutional histories and spatial organization. The discussion includes transliterated songs with English translations, a Kalika hymn, musical notation, and a detailed account of the nagara bana ensemble associated with Kalika at Gorkha. It gives valuable ethnographic context for the historical drummer appointments edited in Documenta Nepalica. The evidence concerns specific Nepalese goddess traditions and late-twentieth-century fieldwork, rather than a universal description of Kali worship.
Kali relevance: Substantial direct documentation of Kalika worship, translated praise songs and temple musicians, especially printed pp. 85–89 and 100–102.
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Publication or repository record
Subjects: Academic Research and Peer-Reviewed Articles; Temples, Sacred Places, and Historical Worship; Hymns, Prayers, and Devotional Poetry
Dates: Modern ethnomusicological scholarship based on fieldwork in 1987–1988 and 1990; Not applicable
Rights: Free-to-read authorized journal archive. Digital Himalaya states that journal content is CC BY 4.0, while Cambridge’s record for the same 1997 issue says All Rights Reserved. Because retrospective scope is unclear, link rather than reproduce this historical article.
Verification and limits: Beginning, ending and substantial sections inspected, without line-by-line musical analysis. Nepalese Kalika and Bhavani traditions should not be treated as interchangeable with Bengali forms.
Source and alternate access links:
Read the complete text: https://d1i1jdw69xsqx0.cloudfront.net/digitalhimalaya/collections/journals/ebhr/pdf/EBHR_12%2613_06.pdf
Publication or repository record: https://www.digitalhimalaya.com/collections/journals/ebhr/nonjavascript.php
Source access
Read or locate the original source at European Bulletin of Himalayan Research; Digital Himalaya
Rights and reading conditions
Free-to-read authorized journal archive. Digital Himalaya states that journal content is CC BY 4.0, while Cambridge’s record for the same 1997 issue says All Rights Reserved. Because retrospective scope is unclear, link rather than reproduce this historical article.
Citation
Carol Tingey. Music for the Royal Dasai (Gorkhā and Nuwākot). European Bulletin of Himalayan Research; Digital Himalaya. European Bulletin of Himalayan Research 12–13 (1997), pp. 81–120. Complete 40-page article represented by 21 PDF images (single opening/closing pages and facing-page spreads). 1997. https://d1i1jdw69xsqx0.cloudfront.net/digitalhimalaya/collections/journals/ebhr/pdf/EBHR_12%2613_06.pdf
This page supplies catalogue metadata and links. It does not reproduce the underlying source text. Historical, religious, healing and interpretive claims belong to the cited sources, not to an independent verification by this catalogue.