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The Library of Kali Ma — Source Directory

Browse 2,010 curated Kali Ma source records with authors, languages, dates, citations and original source links. Directory page 18 of 42.

This directory and every linked record are readable without JavaScript, login or a search form. It covers sacred texts, scholarly studies, historical documents, devotional writing, artworks and related cultural sources. Individual records distinguish full texts, external access and metadata-only references.

Kalighat Painting

Author unrecorded — Date not recorded

Article · English · Open access

Background on the Kalighat painting tradition associated with the area around Kolkata's Kali temple. A contextual source rather than a dedicated Kali scripture.

Source: Victoria and Albert Museum

Original source or repository

Kālīghāṭ Painting

Victoria and Albert Museum — Date not recorded

Museum record · Not specified · Metadata only

From Keepers of the Mother’s Flame — Master Bibliography, Sources for Chapters 1–18. Section: Institutional, Archival, and Web Sources.

Source: Keepers of the Mother’s Flame — Master Bibliography

Original source or repository

Kalighat Paintings: A National Artifact, the Folk and Counter Representation in the Making of Modern Art in Bengal

Anuja Mukherjee — 2020

Article · English · Open access

Examines nineteenth-century Kalighat painting through changes in ritual use, urban audiences, national identity, and museum collection. Mukherjee follows the movement of artists and images through the encounter between folk practice and Calcutta’s changing cultural institutions. The article is relevant to Kali’s temple environment and visual circulation, while also dealing with Kalighat painting’s

Source: The Chitrolekha Journal on Art and Design

Original source or repository

Kālīghāṭ-Itibṛtta

Upendranath Mukhopadhyay Sarvabhauma — Falgun 1332 BS (early 1926); host filename 1925

Book · Bengali · Open access

A temple-servitor’s historical account of Kalighat, Kali worship, the temple’s religious setting and its service arrangements.

Source: Jagannath Mukhopadhyay; Hitaishi Press, Calcutta; digitized through British Library Endangered Archives / Wikimedia Commons

Original source or repository

Kālikā Aṣṭakam

Traditionally attributed to Śaṅkarācārya; historical authorship not established by this edition — n.d. [online edition]

Scripture · Sanskrit · Open access

An eight-verse hymn whose opening depicts Kālī with a garland of severed heads, loose hair, and a cremation-ground setting. The composition joins these fierce features to devotional praise and reliance on the Goddess. Its traditional attribution to Śaṅkarācārya is a feature of transmission, not sufficient evidence of early authorship. The hymn is useful for studying the integration of striking Kāl

Source: Sanskrit Documents volunteer project

Original source or repository

Kālikā Hṛdaya (Mahākautūhala Dakṣiṇakālī Hṛdaya)

Anonymous; traditionally spoken by Mahākāla — n.d. [online edition]

Scripture · Sanskrit · Open access

Mahākāla introduces a secret heart hymn of Dakṣiṇakālī and explains its origin through his own need for release from the consequences of Brahmā’s beheading. The composition interweaves praise, mantric material, and protective or remedial claims. Its narrative gives the hymn a distinctive theological setting: even the fierce divine speaker depends on Kālī’s power. Alternate titles and the printed s

Source: Sanskrit Documents volunteer project

Original source or repository

Kālikā Kavaca 2

Anonymous; traditionally spoken by Sadāśiva — n.d. [online edition]

Scripture · Sanskrit · Open access

A concise protective passage from the Mahānirvāṇa Tantra, beginning with invocations of Ādyā and Kālikā over the head and face. The sequence assigns divine protection through the body and concludes with the benefits attributed to recitation. As a complete short ritual unit, it enables close comparison between the Tantra’s treatment of the primordial Goddess and other independent Kālī kavacas witho

Source: Sanskrit Documents volunteer project

Original source or repository

Kālikā Kavaca 3 (Jaganmaṅgala / Śyāmā Kavaca)

Anonymous; Bhairavī–Bhairava dialogue — n.d. [online edition]

Scripture · Sanskrit · Open access

Bhairavī asks to hear a protective formula after learning Kālī worship, and Bhairava introduces the Jaganmaṅgala kavaca. The opening invokes examples of divine achievement before a sequence of mantric protection. Its multiple titles are important for catalogue identification: Kālikā Kavaca, Jaganmaṅgala Kavaca, and Śyāmā Kavaca refer here to one work. It is distinct from the Bhadrakālī Jaganmaṅgal

Source: Sanskrit Documents volunteer project

Original source or repository

Kālikā Kīlakam

Traditional-style Sanskrit liturgical text; digital proofreader Durga Sharma — September 2026 digital edition

Scripture · Sanskrit · Open access

A new digital transcription centered on Dakṣiṇakālikā, with invocations of Kālī, Mahākālī, and related śaktis; the page includes the closing “sampūrṇam” and metadata. Not an alternate rendering of an earlier catalogue hymn.

Source: Sanskrit Documents volunteer project

Original source or repository

Kālikā Sahasranāma Stotram (Kālikākulasarvasva)

Anonymous; Hara–Paraśurāma dialogue — n.d. [online edition]

Scripture · Sanskrit · Open access

The text opens with meditations on Mahākālī, Kālikā, and Bhadrakālī before presenting a long name sequence in a Hara–Paraśurāma dialogue. The names place the Goddess in multiple ritual and cosmic settings, while the final verses describe the benefits of recitation. This is a separate thousand-name tradition from the alliterative kakārādi list and the Bhadrakālī list attributed to Rudrasarvasva; th

Source: Sanskrit Documents volunteer project

Original source or repository

Kālikā Stotram 1 (Jagadambikā Stotra)

Anonymous — n.d. [online edition]

Scripture · Sanskrit · Open access

This hymn repeatedly asks the world-sustaining Kālī to make her dwelling in the speaker’s mind. Its praises bring together the Goddess’s cosmic role, visual attributes, and intimacy as a devotional presence. The refrain makes inward residence a central theme. The digital edition records its source in a printed stotra anthology, making it a useful example of the circulation of Kālī devotion through

Source: Sanskrit Documents volunteer project

Original source or repository

Kālikā Upaniṣad

Anonymous — n.d. [online edition]

Scripture · Sanskrit · Open access

A short Śākta Upaniṣad centred on Kālī’s mantric identity, contemplation, and spiritual accomplishment. It combines syllabic formulations with claims about knowledge and the transformative effects of worship. Its self-affiliation to Atharvaṇa literature is part of the text’s traditional framing and does not establish an early Vedic date. The complete Sanskrit witness provides material for studying

Source: Sanskrit Documents volunteer project

Original source or repository

Kālīkalpalatā, also called Dakṣiṇakālīkalpalatā

Vimarśānandanātha — 2013 digital transcription; underlying composition/edition date not established

Scripture · Sanskrit · Open access

A substantial ritual manual devoted to Dakshina Kali and Mahakala, covering preliminary purification, worship and associated ritual sequences. Its named author and two-part structure distinguish it from shorter Kali hymns and other worship manuals.

Source: Muktabodha Indological Research Institute

Original source or repository

Kālīkarahasya

Attributed to Pūrṇānanda Paramahaṃsa; manuscript text — Early modern; dating uncertain

Scripture · Sanskrit · Open access

Sanskrit textual unit on Kālī's iconography, mantras and worship transmitted as a Kālī-related secret teaching. The digital edition is limited to the transcribed work and does not claim a critical Sanskrit manuscript edition.

Source: indike.org

Original source or repository